Twenty years of making music in the Rhineland — mostly behind the scenes, hidden in side projects, never quite stepping into the spotlight.

The sound was shaped by the French house movement. Daft Punk, Justice, Mr. Oizo — that raw collision of groove, electronics and attitude rewired how I hear music. But the moment that really changed everything was a Daft Punk concert in 2007. Standing there, I couldn't tell where the machine ended and the human began. That question never left me.

In 2026, eznuk became the answer: a space to work experimentally, to push sounds into places I never dared before, and to blur the line between what a machine creates and what a human feels. It's not about perfection. It's about that moment of tension where both worlds collide.